By incorporating influences from the Brazilian songbook, in particular Bossa Nova, António Zambujo broke down real and imaginary borders, bringing the two sides of the Atlantic closer together. With that, his music, first forged in the tradition of Cante Alentejano and Fado, created an unique personality and inspired a new cycle in Portuguese music. On his ninth album, eighth of originals, António Zambujo Voz e Violão, the musician is inspired by the name of one of the records of his (and our) life, João Voz e Violão, an album by João Gilberto released in 1999, and goes back, not accidentally, to the essential.