João Domingos Bomtempo’s Requiem Mass is a monument of our history. Sober, with a solid structure, it fits in with the movement that just over 200 years ago advocated for the country’s social reform. It was a prelude to the Liberal Revolution that overthrew monarchic absolutism and paved the way for the constitutional regime. The dedication to the memory of Luís Vaz de Camões conveyed its aspiration to revive that patriotic ideal. In 1936, in his Litanies à la Vierge noire, Francis Poulenc also used sacred music to express a political confrontation, this time in France, between conservative rural traditions and the structural reforms of the Front Populaire.

Programme
Francis Poulenc (1899-1963) – Litanies à la Vierge noire (1936; 1947), 10 min.
João Domingos Bomtempo (1775-1842) – Requiem Mass, in C Minor, Op. 23 (1819), 55 min.
𝖨. 𝖨𝗇𝗍𝗋𝗈𝗂𝗍𝗈: 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍𝗈
𝖨𝖨. 𝖪𝗒𝗋𝗂𝖾: 𝖫’𝗂𝗌𝗍𝖾𝗌𝗌𝗈 𝖳𝖾𝗆𝗉𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈
𝖨𝖨𝖨. 𝖣𝗂𝖾𝗌 𝖨𝗋𝖺𝖾: 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝖼𝗈𝗇 𝖿𝗎𝗈𝖼𝗈 – 𝖠𝗇𝖽𝖺𝗇𝗍𝖾 𝗌𝗈𝗌𝗍𝖾𝗇𝗎𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗆𝗈𝖽𝖾𝗋𝖺𝗍𝗈 – 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 – 𝖠𝗇𝖽𝖺𝗇𝗍𝖾 𝖼𝗈𝗆𝗆𝗈𝖽𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗌𝗉𝗂𝗋𝗂𝗍𝗈𝗌𝗈 – 𝖬𝗈𝖽𝖾𝗋𝖺𝗍𝗈 𝖾𝗌𝗉𝗋𝖾𝗌𝗌𝗂𝗏𝗈 𝖺𝗌𝗌𝖺𝗂 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗏𝗂𝗏𝖺𝖼𝖾
𝖨𝖵. 𝖮𝖿𝖿𝖾𝗋𝗍𝗈𝗋𝗂𝗎𝗆: 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗆𝗈𝖽𝖾𝗋𝖺𝗍𝗈 – 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗆𝗈𝖽𝖾𝗋𝖺𝗍𝗈
𝖵. 𝖲𝖺𝗇𝖼𝗍𝗎𝗌: 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗆𝖺𝖾𝗌𝗍𝗈𝗌𝗈 𝖺𝗌𝗌𝖺𝗂 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈
𝖵𝖨. 𝖡𝖾𝗇𝖾𝖽𝗂𝖼𝗍𝗎𝗌: 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝖬𝗈𝖽𝖾𝗋𝖺𝗍𝗈
𝖵𝖨𝖨. 𝖠𝗀𝗇𝗎𝗌 𝖣𝖾𝗂: 𝖠𝗇𝖽𝖺𝗇𝗍𝖾 𝗌𝗈𝗌𝗍𝖾𝗇𝗎𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝗆𝗈𝖽𝖾𝗋𝖺𝗍𝗈 – 𝖠𝗅𝗅𝖾𝗀𝗋𝗈 𝖺𝗌𝗌𝖺𝗂 – 𝖫𝖺𝗋𝗀𝗁𝖾𝗍𝗍o

Soloists: Camila Mandillo (soprano), Carolina Figueiredo (mezzo-soprano), Marco Ferreira (tenor), Nuno Dias (bass)
Conductor for Coro Juvenil da Universidade de Lisboa: Erica Mandillo
Conductor for Coro de Câmara da Universidade de Lisboa: Luís Almeida
Conductor: Paul Daniel